You have not been recognized as a subscriber to the WHQ online. About 173 words from this article are provided below; about 334 words remain.
 
If you are a individual subscriber to the Western Historical Quarterly, you may:
• login here if you have already registered for online access.
• Or if you're already logged in register your subscription.
• Set up your online account for the first time.

If you are not a subscriber to the Western Historical Quarterly, you can:
•  subscribe here.
• Purchase a research pass to gain two hour access to the entire History Cooperative web site. You will have full access to current issues of the Western Historical Quarterly (104.3-present). Note: the Research Pass does not provide access to JSTOR's holdings of the Western Historical Quarterly.

Instititutions can:
• Subscribe to this journal and receive print and electronic issues.
• Activate your existing subscription so that we recognize your IP number ranges.
| Book Review | The Western Historical Quarterly, 37.3 | The History Cooperative
37.3  
Journals link Search link Partners link Information link
Autumn, 2006
Previous
Next
The Western Historical Quarterly

Table of Contents
List journal issues
Home
Get a printer-friendly version of this page
 


Book Review



Putting a Song on Top of It: Expression and Identity on the San Carlos Apache Reservation. By David W. Samuels. (Tucson: University of Arizona Press, 2004. x + 324 pp. Notes, bibliography, index. $39.95.)

      This book fills a gap in the anthropology of contemporary music in Native North America. Drawing upon semiotic analysis and arguing for the importance of non-referential expression to identity, David Samuels offers a nuanced account of the centrality of ambiguity to identity on the San Carlos Apache Reservation. The author analytically and ethnographically privileges contemporary music (country, rock, reggae) over "traditional" Apache music, arguing that indigenous identity cannot be located simply in forms that outsiders recognize as distinct, historical, and traditional. Samuels does not simply make a case for hybridity, or for Apaches' ability to render "outside" music meaningful. Instead, he suggests that mood and feeling, more than form or referential capacity, enable Apaches to perform, consume, and circulate contemporary music in ways that connect them to history, place, and each other. . . .

There are about 334 more words in this article. Please log in (or, if you are not yet an authorized user, please go to the User Setup page) to gain full access rights. Or if you're already logged in register your subscription.