You have not been recognized as a subscriber to the WHQ online. About 206 words from this article are provided below; about 399 words remain.
 
If you are a individual subscriber to the Western Historical Quarterly, you may:
• login here if you have already registered for online access.
• Or if you're already logged in register your subscription.
• Set up your online account for the first time.

If you are not a subscriber to the Western Historical Quarterly, you can:
•  subscribe here.
• Purchase a research pass to gain two hour access to the entire History Cooperative web site. You will have full access to current issues of the Western Historical Quarterly (104.3-present). Note: the Research Pass does not provide access to JSTOR's holdings of the Western Historical Quarterly.

Instititutions can:
• Subscribe to this journal and receive print and electronic issues.
• Activate your existing subscription so that we recognize your IP number ranges.
| Book Review | The Western Historical Quarterly, 37.1 | The History Cooperative
37.1  
Journals link Search link Partners link Information link
Spring, 2006
Previous
Next
The Western Historical Quarterly

Table of Contents
List journal issues
Home
Get a printer-friendly version of this page
 


Book Review



Atomic Culture: How We Learned to Stop Worrying and Love the Bomb. Edited by Scott C. Zeman and Michael A. Amundson. (Boulder, University Press of Colorado, 2005. x + 187 pp. Illustrations, notes, index. $55.00, cloth; $22.95, paper.)

      Atomic Culture, a collection of essays edited by Scott Zeman and Michael Amundson, presents innovative studies on the influences of the atom upon American culture and covers four distinctive periods of atomic culture as defined by the editors. They label their periods as Early Atomic Culture (1945–49), High Atomic Culture (1949–63), Late Atomic Culture (1964–91) and Post Atomic Culture (1992–present). While an artificial construction, the periodization created by Zeman and Amundson serves a useful purpose in permitting interesting comparisons and contrasts. 1
      Ferenc Szasz's essay on atomic comics traced the proliferation of nuclear themed comic books over the course of five decades. He demonstrates the abilities of the comic industry to shape the understanding of the atom. Jon Hunner's essay examines the means by which Los Alamos contributed to the transfer between Early and High Atomic Culture through "code-switching" and holds that Los Alamos served as the test bed for trends that dominated social life in Cold War America. . . .

There are about 399 more words in this article. Please log in (or, if you are not yet an authorized user, please go to the User Setup page) to gain full access rights. Or if you're already logged in register your subscription.