You have not been recognized as a subscriber to the WHQ online. About 148 words from this article are provided below; about 296 words remain.
 
If you are a individual subscriber to the Western Historical Quarterly, you may:
• login here if you have already registered for online access.
• Or if you're already logged in register your subscription.
• Set up your online account for the first time.

If you are not a subscriber to the Western Historical Quarterly, you can:
•  subscribe here.
• Purchase a research pass to gain two hour access to the entire History Cooperative web site. You will have full access to current issues of the Western Historical Quarterly (104.3-present). Note: the Research Pass does not provide access to JSTOR's holdings of the Western Historical Quarterly.

Instititutions can:
• Subscribe to this journal and receive print and electronic issues.
• Activate your existing subscription so that we recognize your IP number ranges.
| Book Review | The Western Historical Quarterly, 35.4 | The History Cooperative
35.4  
Journals link Search link Partners link Information link
Winter, 2004
Previous
Next
The Western Historical Quarterly

Table of Contents
List journal issues
Home
Get a printer-friendly version of this page
 


Book Review



Print the Legend: Photography and the American West. By Martha A. Sandweiss. (New Haven: Yale University Press, 2002. xiii + 402 pp. Illustrations, notes, index. $25.00, paper.)

      This work deftly interweaves three important analytical themes in the history of western photography in the nineteenth-century. First, through its close study of the connection between prominent cultural narratives about the American West and photographs of it, Print the Legend successfully makes the case that photographs and photographers played a central role in the creation of the regional West. Second, the book ties western photographs and photographers of western subjects to broader trends in nineteenth-century visual culture. Third, the author consistently examines how photographs simultaneously work as historical artifacts, source material, and as a window on the cultural intentions of those who took the photos as well as those who served as their subjects. . . .

There are about 296 more words in this article. Please log in (or, if you are not yet an authorized user, please go to the User Setup page) to gain full access rights. Or if you're already logged in register your subscription.