|
|
|
Contents
|
Volume
29
, Number
2
|
2003
|
ARTICLES
REVIEWS
| Ohio on the Move: Transportation in the Buckeye State, by H. Roger Grant |
| William Vermes |
67 |
|
|
| Canada's 'New Main Street': The Trans-Canada Highway as Ideal and Reality, 1912–1956, by David W. Monaghan |
| Matthew W. Roth |
68 |
|
|
| Canal History and Technology Proceedings, vol. XXI, ed. by Lance E. Metz |
| John Austen |
68 |
|
|
| Pennsylvania's Delaware Division Canal: Sixty Miles of Euphoria and Frustration, by Albright G. Zimmerman |
| Robert J. Kapsch |
70 |
|
|
| The Mauch Chunk Switchback: America's Pioneer Railroad, by Vincent Hydro, Jr. |
| Donald S. Young |
71 |
|
|
| Historic Bridges of Maryland, by Dixie Legler and Carol M. Highsmith |
| Robert C. Chidester |
73 |
|
|
| The History of Ironmaking: A Highly Illustrated Description of the Evolution of Ironmaking from Ancient Smelting Holes to Modern Blast Furnaces, by John A. Ricketts |
| Ernest G. Farrier |
74 |
|
|
| Fishing for Heritage: Modernity and Loss Along the Scottish Coast, by Jane Nadel-Klein |
| Joseph A. P. Wilson |
74 |
|
|
| Distant Corner: Seattle Architects and the Legacy of H. H. Richardson, by Jeffrey Karl Ochsner and Dennis Alan Andersen |
| Alicia B. Valentino |
76 |
|
|
| Big Picture: The Artistry of d'Arazien, by Arthur d'Arazien |
| Vance Packard, Jr. |
77 |
|
|
| Designs Underfoot: The Art of Manhole Covers in New York City, by Diana Stuart |
| Ana M. Hayes-Perez |
78 |
|
|
| Modernity and Technology, ed. by Thomas J. Misa, Philip Brey, and Andrew Feenberg |
| Lance Metz |
79 |
|
|
| America as Second Creation: Technology and Narratives of New Beginnings, by David E. Nye |
| Todd Gilens |
80 |
|
|
|
|
|
|
|
|
| Contributors |
83 |
|
|
|
|
COVER: Technical drawings of the Frenier pump. See "Gold and Tailings: The Standard Mill at Bodie, California," pp.5–27.
Content in the History Cooperative database is intended for personal, noncommercial use only. You may not reproduce, publish, distribute, transmit, participate in the transfer or sale of, modify, create derivative works from, display, or in any way exploit the History Cooperative database in whole or in part without the written permission of the copyright holder.
|