|
|
|
REVIEWS
| Eugenic Design: Streamlining America in the 1930s. By Christina Cogdell (Philadelphia: University of Pennsylvania Press, 2004. ix plus 328 pp.).
|
| In this provocative study, art historian Christina Cogdell links eugenic ideology with streamline industrial design in twentieth-century America. As she explains, "streamline designers approached products the same way that eugenicists approached bodies" (4). An interest in efficiency, hygiene, and progress shaped the views of both designers and eugenicists. Though there was little overlap in membership (few architects identified themselves as eugenicists), similar ideas about progress, evolution, and control allow for interesting comparisons. For example, both eugenicists and industrial designers frequently used the word "stream" as a metaphor for evolution, suggesting the importance of purity and progress. Twentieth-century bodies, like products, could be managed and manipulated to create a more perfect race. |
. . . |
There are about 344 more words in this article.
Please log in (or, if you are not yet an
authorized user, please go to the
User Setup page) to gain full access rights. Or if you're already logged in register your subscription.
|