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The Long Civil Rights Movement and the Political Uses of the Past
Jacquelyn Dowd Hall
The black revolution is much more than a struggle for the rights of Negroes. It is forcing America to face all its interrelated flaws—racism, poverty, militarism, and materialism. It is exposing evils that are rooted deeply in the whole structure of our society ... and suggests that radical reconstruction of society is the real issue to be faced.
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| —Martin Luther King Jr. |
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Stories are wonderful things. And they are dangerous.
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| Thomas King |
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| The civil rights movement circulates through American memory in forms and through channels that are at once powerful, dangerous, and hotly contested. Civil rights memorials jostle with the South's ubiquitous monuments to its Confederate past. Exemplary scholarship and documentaries abound, and participants have produced wave after wave of autobiographical accounts, at least two hundred to date. Images of the movement appear and reappear each year on Martin Luther King Jr. Day and during Black History Month. Yet remembrance is always a form of forgetting, and the dominant narrative of the civil rights movement—distilled from history and memory, twisted by ideology and political contestation, and embedded in heritage tours, museums, public rituals, textbooks, and various artifacts of mass culture—distorts and suppresses as much as it reveals.1 |
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Centering on what Bayard Rustin in 1965 called the "classical" phase of the struggle, the dominant narrative chronicles a short civil rights movement that begins with the 1954 Brown v. Board of Education decision, proceeds through public protests, and culminates with the passage of the Civil Rights Act of 1964 and the Voting Rights Act of 1965.2 Then comes the decline. After a season of moral clarity, the country is beset by the Vietnam War, urban riots, and reaction against the excesses of the late 1960s and the 1970s, understood variously as student rebellion, black militancy, feminism, busing, affirmative action, or an overweening welfare state. A so-called white backlash sets the stage for the conservative interregnum that, for good or ill, depending on one's ideological persuasion, marks the beginning of another story, the story that surrounds us now. |
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Martin Luther King Jr. is this narrative's defining figure—frozen in 1963, proclaiming "I have a dream" during the march on the Mall. Endlessly reproduced and selectively quoted, his speeches retain their majesty yet lose their political bite. We hear little of the King who believed that "the racial issue that we confront in America is not a sectional but a national problem" and who attacked segregation in the urban North. Erased altogether is the King who opposed the Vietnam War and linked racism at home to militarism and imperialism abroad. Gone is King the democratic socialist who advocated unionization, planned the Poor People's Campaign, and was assassinated in 1968 while supporting a sanitation workers' strike.3 |
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By confining the civil rights struggle to the South, to bowdlerized heroes, to a single halcyon decade, and to limited, noneconomic objectives, the master narrative simultaneously elevates and diminishes the movement. It ensures the status of the classical phase as a triumphal moment in a larger American progress narrative, yet it undermines its gravitas. It prevents one of the most remarkable mass movements in American history from speaking effectively to the challenges of our time. |
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