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Book Review
White
Diaspora: The Suburb and the Twentieth-Century American Novel. By Catherine Jurca.
(Princeton: Princeton University Press, 2001. viii, 238 pp. Cloth, $49.50,
ISBN 0-691-05734-6. Paper, $19.95, ISBN 0-691-05735-4.)
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the beginning of the 1999 film American Beauty, an aerial shot of a
suburb, which could be "Anywhere, U.S.A.," cranes toward an
undifferentiated house on an undifferentiated street. The film ends with the
camera pulling backwards and upwards, away from the leafless streets. The
suburb is a place you may have to visit, but you do not want to live there. As
Catherine Jurca points out in White Diaspora, a pathbreaking study of
representations of suburbia in twentieth-century American fiction, the
repudiation of suburban life arises almost as soon as suburbs come into being.
Moreover, from their inception, suburbs are implicated in discourses of
ownership, racial difference, class coherence, and commodity culture. One of
the unsung motifs of American fiction is property. Jurca justly articulates
the complexities of property ownership through its fictional representations. |
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