|
|
|
Book Review
Sideshow
U.S.A.: Freaks and the American Cultural Imagination. By Rachel Adams. (
Chicago: University of Chicago Press, 2001. xii, 289 pp. Cloth, $60.00, ISBN
0-226-00538-0. Paper, $19.00, ISBN 0-226-00539-9.)
| Over the past decade a growing number of scholarly
studies of 'freak shows,' exhibitions of 'human oddities,' and
sideshows of all kinds have enriched our understanding of cultural history. At
the same time, it is also clear that no consensus has developed about how
those shows should be understood. Interpretations range from studies that
emphasize the exploitative dimensions of the exhibits to investigations that
emphasize their functions as performances that, to some degree, empowered
people with physical and mental disabilities. Rachel Adams wants us to
consider freak shows along a new axis and suggests that the freak show be
examined as a mode of cultural production swirling with meanings for
performers and audiences alike. Part history, part ethnography, and mostly
literary analysis, Sideshow U.S.A. advances our knowledge of sideshow
spectacles. |
. . . |
There are about 347 more words in this article.
Please log in (or, if you are not yet an
authorized user, please go to the
User Setup page) to gain full access rights. Or if you're already logged in register your subscription.
|