|
|
|
Book Review
Close
Harmony: A History of Southern Gospel. By James R. Goff Jr. (Chapel Hill: University of
North Carolina Press, 2002. xvi, 394 pp. Cloth, $45.00, ISBN 0-8078-2681-2.
Paper, $24.95, ISBN 0-8078-5346-1.)
| I
suspect that not many of the books reviewed in this journal come with an
endorsement from Dolly Parton. The object of the country singer's praise is Close
Harmony, by James R. Goff Jr., and it is indeed a worthy book. |
1 |
| Although
a number of historians have written about country music and black gospel, the
story of white gospel music--epitomized, the author says, in quartet
singing--has heretofore received scant attention. Goff ably demonstrates that
musicians as diverse as Amy Grant and the Oak Ridge Boys trace their roots to
the Great Revival, which made congregational singing an integral part of
evangelicalism, especially in the South. A few rudimentary songbooks appeared
early in the nineteenth century, and at about the same time, shape notes were
developed, primarily to serve a rural, uneducated audience. |
. . . |
There are about 353 more words in this article.
Please log in (or, if you are not yet an
authorized user, please go to the
User Setup page) to gain full access rights. Or if you're already logged in register your subscription.
|