|
|
|
Book Review
Making Love Modern: The Intimate Public Worlds of New York's Literary Women. By Nina Miller. (New York: Oxford University Press, 1999. xii, 292 pp. Cloth, $45.00, ISBN 0-19-511604-6. Paper, $18.95, ISBN 0-19-511605-4.)
|
Nina Miller looks at "love poetry, that most 'feminine' and quietistic of genres," to think about how several women writers in the first decades of the twentieth century were both freed and constrained by their participation in newly available public arenas, specifically Greenwich Village bohemia, the Algonquin Round Table, and the Harlem Renaissance. This moment and these circles are often rendered as clichés, but her detailed analysis of the three subcultures and their exemplary women writersEdna St. Vincent Millay, Genevieve Taggard, Dorothy Parker, Gwendolyn Bennett, and Helene Johnsonis a provocative contribution to feminist studies of modernism and modernity. |
. . . |
There are about 358 more words in this article.
Please log in (or, if you are not yet an
authorized user, please go to the
User Setup page) to gain full access rights. Or if you're already logged in register your subscription.
|