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Exhibition
Review
"Transatlantic Slavery: Against Human Dignity." Merseyside Maritime Museum,
Albert Dock, Liverpool, L3 4AQ, England.
Permanent exhibition, opened Oct. 1994.
Daily 105; admission free. 4,736 sq. ft. Anthony Tibbles, curator
of maritime history.
Guided walking tours of slavery history
trail; group bookings; lectures and slide talks.
Transatlantic Slavery: Against Human Dignity,
exhibition guide.
Transatlantic Slavery: Against Human Dignity.
Ed. by Anthony Tibbles. (London: HMSO, 1994. 160 pp. Cloth, ISBN 0-11-290545-5.
Paper, ISBN 0-11-290539-0. Out of print.)
Liverpool and Slavery by "Dicky Sam."
Ed. by Fritz Spiegel. (Liverpool: Scouse Press, 1985. Paper, £4.50,
ISBN 0-901367-32-X.)
Slavers and Privateers: The Story of
a Sorry Chapter in the History of Liverpool, Liverpool Packet No. 5.
Ed. by Fritz Spiegel. (Liverpool: Scouse Press, 1973. Paper, £3.45,
ISBN 0-901367-23-0.)
Archives: Merseyside Maritime Museum. Open TuTh
10:304:40.
Internet: description of museum collections,
information on the exhibition, and an overview of transatlantic slavery
<http://www.nmgm.org.uk/maritime/slavery/slaveryframeset.html>
(Oct. 4, 2001).
"'A Respectable Trade?': Bristol and Transatlantic Slavery." Bristol
Industrial Museum, Princes Wharf, City Docks, Bristol, BS1 4RN, England.
Permanent exhibition (temporarily housed).
Opened March 1999 at the Bristol City Museum & Art Gallery, moved
to the Bristol Industrial Museum, Sept. 1999. SaW 105 AprilOct.,
SaSu 105 Nov.March; admission free. 2,153 sq. ft.
Sue Giles, chief curator at Bristol City Museum & Art Gallery; Madge
Dresser, chief adviser.
"Pero and Pinney Exhibit." Georgian House, 7 Great George St., Bristol
BS1 5RR, England.
Permanent exhibition. SaW 105
AprilOct.; admission free.
Bristol and Transatlantic Slavery:
Catalogue of the Exhibition "'A Respectable Trade?': Bristol and Transatlantic
Slavery." Ed. by Madge Dresser and Sue Giles. (Bristol: Bristol
Museums & Art Gallery, 2000. 151 pp. Paper, £15.)
Slave Trade Trail around Central Bristol.
By Madge Dresser, Coletta Jordan, and Doreen Taylor. (Bristol: Bristol
City Council, 1998. 26 pp. Paper, £1.60.)
Bristol and Transatlantic Slavery.
By Madge Dresser. (Bristol: Bristol Museums & Art Gallery, 1999.
Paper, £0.99.)
| These exhibitionsLiverpool's
"Transatlantic Slavery: Against Human Dignity," which was opened
first (by Maya Angelou in October 1994), and Bristol's "'A Respectable
Trade?': Bristol and Transatlantic Slavery" (March 1999)provoke
questions of importance for the study of slavery in both academic
and public contexts. How does Britain remember its involvement in
the triangular slave trade? What emphasis should be placed on local
versus transatlantic contexts? How do academic debates, such as
those concerning slave resistance and violence, fit into the narrative
provided? If the focus is comparative, how are countries and nationalities
represented? What emphasis is given to North American involvement
in slavery and the slave trade? How can this material be conveyed
to diverse audiences? These exhibitions also raise linguistic issues
as they question the terms used not only to describe slaves but
also to discuss slavery as an institution. |
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