You have not been recognized as a subscriber to JAH online. About 161 words from this article are provided below; about 405 words remain.
 
If you are a individual member of the Organization of American Historians, you may:
• login here if you have already registered for online access.
• Or if you're already logged in register your subscription.
• Set up your online account for the first time.

If you are not a member of the Organization of American Historians, you can:
• Join the OAH and receive many member benefits including print and electronic issues of the Journal of American History.
• Purchase a research pass to gain two-hour access to the entire History Cooperative web site. You will have full access to current issues of the Journal of American History (86.1-present). Note: the Research Pass does not provide access to JSTOR's holdings of the Journal of American History.

Instititutions can:
•  Subscribe to this journal and receive print and electronic issues.
• Activate your existing subscription so that we recognize your IP number ranges.
| Book Review | The Journal of American History, 88.3 | The History Cooperative
88.3  
Journals link Search link Partners link Information link
December, 2001
Previous
Table of Contents
Next
The Journal of American History

Table of contents
List journal issues
Home
Get a printer-friendly version of this page
 
 


Book Review


Accomplished in All Departments of Art: Hammatt Billings of Boston, 1818–1874. By James F. O'Gorman. (Amherst: University of Massachusetts Press, 1998. xii, 291 pp. $39.95, ISBN 1-55849-148-1.)

"Who was Hammatt Billings?" James F. O'Gorman begins with this fundamental question, and indeed it is a proper starting point, given the obscurity into which this singular nineteenth-century designer has fallen. O'Gorman makes no claims for forgotten genius; he readily admits that Billings's output is unprepossessing. Rather, his importance lies in the varied ways Billings served the imagistic needs of a broad Boston audience. Deployed for an astonishing array of media, Billings's "pencil" provided drawings, watercolors, paintings, periodical and book illustrations, sheet music covers, advertisements, and commemorative certificates, as well as designs for tombstones, furniture, gardens, festal parades, firework displays, sculptural monuments, and buildings. His work, O'Gorman stresses, spanned the elite and the vernacular, and it is the latter category that the author suggests will be of most interest to scholars. . . .


There are about 405 more words in this article. Please log in (or, if you are not yet an authorized user, please go to the User Setup page) to gain full access rights. Or if you're already logged in register your subscription.