You have not been recognized as a subscriber to JAH online. About 177 words from this article are provided below; about 367 words remain.
 
If you are a individual member of the Organization of American Historians, you may:
• login here if you have already registered for online access.
• Or if you're already logged in register your subscription.
• Set up your online account for the first time.

If you are not a member of the Organization of American Historians, you can:
• Join the OAH and receive many member benefits including print and electronic issues of the Journal of American History.
• Purchase a research pass to gain two-hour access to the entire History Cooperative web site. You will have full access to current issues of the Journal of American History (86.1-present). Note: the Research Pass does not provide access to JSTOR's holdings of the Journal of American History.

Instititutions can:
•  Subscribe to this journal and receive print and electronic issues.
• Activate your existing subscription so that we recognize your IP number ranges.
| Book Review | The Journal of American History, 87.3 | The History Cooperative
87.3  
Journals link Search link Partners link Information link
December, 2000
 
The Journal of American History

Table of contents
List journal issues
Home
Get a printer-friendly version of this page
 
 


Book Review



In Search of American Jewish Culture. By Stephen J. Whitfield. (Hanover: Brandeis University Press, 1999. xviii, 307 pp. $26.00, ISBN 0-87451-754-0.)

In Search of American Jewish Culture is an intelligent, panoramic, and enthusiastic book that proves how difficult it is to conceptualize the deep involvement of Jews with American culture. 1
     In an admittedly selective reading of his subject, Stephen J. Whitfield chooses not to discuss the visual arts, radio and television, Hollywood, or popular literature, but offers chapters on musical theater, music, and theater. The rest of the book takes up the subjects of "Race," "Shoah," and "Faith." Whitfield opens with two definitional chapters about American culture and Jewish identity, a subject to which he returns in the epilogue. 2
     More a set of essays than a sustained analysis, the book provides an exciting tour through the jungle of Jewish productions in show business and music. It also gives enlightening synopses of Jewish interaction with African American artists, American treatments of the Holocaust, and the problem of particularism versus universalism in American Judaism. . . .


There are about 367 more words in this article. Please log in (or, if you are not yet an authorized user, please go to the User Setup page) to gain full access rights. Or if you're already logged in register your subscription.