You have not been recognized as a subscriber to JAH online. About 310 words from this article are provided below; about 637 words remain.
 
If you are a individual member of the Organization of American Historians, you may:
• login here if you have already registered for online access.
• Or if you're already logged in register your subscription.
• Set up your online account for the first time.

If you are not a member of the Organization of American Historians, you can:
• Join the OAH and receive many member benefits including print and electronic issues of the Journal of American History.
• Purchase a research pass to gain two-hour access to the entire History Cooperative web site. You will have full access to current issues of the Journal of American History (86.1-present). Note: the Research Pass does not provide access to JSTOR's holdings of the Journal of American History.

Instititutions can:
•  Subscribe to this journal and receive print and electronic issues.
• Activate your existing subscription so that we recognize your IP number ranges.
Movie Review | The Journal of American History, 86.3 | The History Cooperative
86.3  
Journals link Search link Partners link Information link
December, 1999
 
The Journal of American History

Table of contents
List journal issues
Home
Get a printer-friendly version of this page
 
 


Movie Review



Rescue at Sea. Prod. and dir. by Ben Loeterman. Ben Loeterman Productions, Inc., 1999. 58 mins. (PBS Video, 1320 Braddock Place, Alexandria, VA 22314-1698)

Rescue at Sea is a well-made documentary film that takes full advantage of an inherently dramatic event to tell an engrossing tale of a 1909 collision between two ships carrying some fifteen thousand passengers and how disaster was prevented by the use of the new technology of radio. Like many of the films in the American Experience series on PBS, Rescue at Sea is very successful at telling the story of the collision and rescue. While generally doing an admirable job of setting the historical context for this collision and the role that radio played in the rescue, it is less successful in dealing with the subtleties and ambiguities of the subsequent debate over the use of radio as a safety feature on ships. 1
     In the course of sixty minutes, Ben Loeterman, who wrote, directed, and produced this film, makes effective use of a mix of historic images, modern reenactments, quotations from historic documents, and interviews with historians and the descendants of those involved to bring this event to life and give a flavor of the historical context within which it unfolded. As in any historical work Loeterman is constrained by the sources at his disposal, which become even more important in a film, where the narrative is by necessity reliant on visual and sound sources. Thus, we view the event largely through the eyes of the wealthy passengers (and their descendants) who were traveling on the Republic headed for European vacations rather than through the eyes of the unnamed (except for the cabin boy) Italian immigrants on the Florida who were forced by the Italian government to emigrate to the United States after one of the most devastating earthquakes in history. . . .


There are about 637 more words in this article. Please log in (or, if you are not yet an authorized user, please go to the User Setup page) to gain full access rights. Or if you're already logged in register your subscription.