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Exhibition Review | The Journal of American History, 86.1 | The History Cooperative
86.1  
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June, 1999
 
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Exhibition Review



"America's Reconstruction: People and Politics after the Civil War." Organized by the Virginia Historical Society, 428 N. Boulevard, Richmond, VA 23220, and the Valentine Museum, 1015 E. Clay St., Richmond, VA 23219. Traveled by the South Carolina State Museum, 301 Gervais St., Columbia, SC 29202. Traveling exhibition. March 21-Oct. 1, 1996, Virginia Historical Society Richmond; Feb.-May 1997, South Carolina State Museum, Columbia; June-Nov. 1997, Schomberg Center for Research in Black Culture, New York, NY; April-Oct. 1998, Museum of Florida History, Tallahassee; Nov. 1998-May 3, 1999, North Carolina Museum of History, Raleigh; Sept. 1, 1999-Jan. 2, 2000, Chicago Historical Society. 3,000 sq. feet. Eric Foner and Olivia Mahoney, curators; James C. Kelly, project manager; Threshold Studio, Alexandria, Va., exhibition designer; Explus, Dulles, Va., fabricator. America's Reconstruction: People and Politics after the Civil War. By Eric Foner and Olivia Mahoney. (Baton Rouge: Louisiana State University Press, 1997. 168 pp. Paper, $17.50.) "America's Reconstruction: People and Politics after the Civil War" is a visually and intellectually rich exhibition that focuses primarily on how black and white Southerners struggled to make sense of their lives in the decade following the Civil War. Based on the most recent historical interpretations of the era and a wealth of material artifacts, "America's Reconstruction" draws museum visitors beyond the more familiar political debates over national reunification into a myriad of local stories about hope and fear in a region undergoing dramatic social changes.

     The exhibition's core argument follows the historiographical contours shaped by co-curator Eric Foner and other recent scholars of the period. Reconstruction was a time of real progress for newly freed slaves, genuine attempts to create interracial democratic politics, and significant efforts to redefine the federal government's role in protecting individual rights. Conversely, the exhibit lays to rest the old interpretations of the era—written by Southern historians at the turn of the century who sought to justify white supremacy—that emphasized the purported political corruption of black legislators and their Northern supporters. 1
     "America's Reconstruction" consists of six topical sections. "New Birth of Freedom" explores how Union army officials, black troops, Freedmen's Bureau agents, and emancipated slaves all contributed to the political and economic groundwork for subsequent Reconstruction policies even while the war was still raging. "Slave Labor to Free Labor" examines the transformation of bound agricultural workers into sharecroppers and urban black artisans' struggle with persistent racial discrimination and economic exploitation. "The Meaning of Freedom: Black and White Responses to the End of Slavery" looks at how African Americans reunited families, legalized marriages, and established black churches, schools, and colleges; as well as how Southern whites memorialized the Confederate dead and created an ideology of martyrdom and crucifixion to surround their myth of the Lost Cause. 2
     "Rights and Power: The Politics of Reconstruction" is the one section of the exhibit that focuses on the more familiar story of how Radical Republicans in Congress fought President Andrew Johnson for control over national policy concerning readmission of the defeated Southern states to the Union. Out of this struggle emerged the Reconstruction Amendments to the Constitution, which fundamentally restructured the legal powers of state and federal governments. "Resistance to Reconstruction" centers on the Ku Klux Klan and its concerted campaigns of political terrorism, as well as black leaders' efforts to resist such intimidation and fulfill their new roles as public officials. . . .


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