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CONTENTS |
Volume 35Number 4 |
August 2002 |
GENERAL
THE CRAFT OF TEACHING
THE STATE OF THE PROFESSION
NOTES AND COMMENTS
REVIEWS
527 Textbooks, Readers, and References
| Elshtain, Jane Addams and the Dream of American Democracy and Elshtain, ed., The Jane Addams Reader |
| by Caryn E. Neumann |
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| Hupchick and Cox, The Palgrave Concise Historical Atlas of Eastern Europe, Revised and Updated Edition |
| by Tom Lamont |
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| Kirkwood, The History of Mexico |
| by Maurice P. Brungardt |
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| Linden, ed., Voices From the Gathering Storm: The Coming of the American Civil War |
| by Gary Edwards |
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| Mitgang, Abraham Lincoln: A Press Portrait, His Life and Times from the Original Newspaper Documents of the Union, the Confederacy, and Europe |
| by Rosemary Abend |
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| van Houts, ed., Medieval Memories: Men, Women and the Past, 700-1300 |
| by Stacy Kerr |
534 General Books
| Cohen, ed., The Postcolonial Middle Ages |
| by Joel T. Rosenthal |
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| Derry, Politics in the Age of Fox, Pitt, and Liverpool, revised edition |
| by D. A. Smith |
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| Green, Race on the Line: Gender, Labor, and Technology in the Bell System, 1880-1980 |
| by Paul Michel Taillon |
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| Hutchison, Labors Appropriate to Their Sex: Gender, Labor, and Politics in Urban Chile, 1900-1930 |
| by Michael Monteón |
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| Joselit, Immigration and American Religion |
| by Carolyn Williams |
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| Nasson, The South African War, 1899-1902 |
| by Brett Cohen |
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| Sitkoff, ed., Perspectives on Modern America: Making Sense of the Twentieth Century |
| by Abraham Hoffman |
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| Smail, Imagined Cartographies: Possession and Identity in Late Medieval Marseille |
| by Donald Leech |
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| White, Lenin: The Practice and Theory of Revolution |
| by Edward Alan Cole |
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| Wineburg, Historical Thinking and Other Unnatural Acts: Charting the Future of Teaching the Past |
| by Barbara Kantz |
IN EVERY ISSUE
Cover: Harriet Tubman's Underground Railroad, a
painting by Paul Collins. An institute for teachers examining the Underground
Railroad is the subject of an article in this issue by Denise Dallmer,
beginning on page 491. To order a color print of Collins' painting,
please contact Collins Fine Art, 220 Lyon NW, Amway Grand Plaza, Grand
Rapids, MI 49503; (616) 742-2000; www.collinsart.com.
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