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Contents |
Volume 34•Number 2 |
February 2001 |
SPECIAL ANNOUNCEMENT
GENERAL
THE CRAFT OF TEACHING
THE STATE OF THE PROFESSION
CONTINUING SERIES
NOTES AND COMMENTS
REVIEWS
| 259 |
Textbooks and Readers |
| Adickes, To Be Young Was Very Heaven: Women in New York Before the First World War |
| by Jeffrey Williams |
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| Culver and Hyde, American Dreamer: A Life of Henry A. Wallace |
| by Robert C. Cottrell |
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| Fitzpatrick, ed., Stalinism: New Directions |
| by Edward Alan Cole |
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| Ginzberg, Women in Antebellum Reform |
| by Mina Carson |
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| Hornung, The Ancient Egyptian Books of the Afterlife and Watterson, Gods of Ancient Egypt |
| by William Greenwalt |
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| Johansen, Shapers of the Great Debate on Native Americans, Land, Spirit, and Power, A Biographical Dictionary |
| by Päivi Hoikkala |
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| Khalidi, Palestinian Identity. The Construction of Modern National Consciousness |
| by Steven Bowman |
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| Leiby, The Unification of Germany, 1989-1990 |
| by Thomas N. Keefe |
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| Navarro and Korrol, Women in Latin America and the Caribbean |
| by Jayne Howell |
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| Rhoden and Steele, The Human Tradition in The American Revolution |
| by Steven R. Boyd |
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| Robarge, A Chief Justice's Progress: John Marshall from Revolutionary Virginia to the Supreme Court |
| by John Anthony Scott |
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| Sinn, Olympia: Cult, Sport, and Ancient Festival |
| by David Hood |
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| Strieter, Nineteenth Century European Art. A Topical Dictionary |
| by Nancy Weston |
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| Thomas, An Appalachian New Deal: West Virginia in the Great Depression |
| by Richard D. Starnes |
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| Whitman, The Price of Freedom: Slavery and Manumission in Baltimore and Early National Maryland |
| by Carolyn Williams |
IN EVERY ISSUE
Cover: From the article by Gregory S. Brown in this issue, this image, "Holy Family on her Hips," depicts a royalist fantasy of Marie Antoinette flying away from the palace, carrying her husband and children to safety in the provinces, as prominent former-nobles and defrocked high clergy comment. Drawing on a commonplace of early modern popular culture of the good witch--a woman possessed of supernatural powers she uses to save her family--this engraving is much more characteristic of Revolutionary-era prints in its basic (and anonymous) line drawing and unpracticed water coloring, although its motif is of course less characteristic of historians' interpretations of the flight to Varennes. (This image is reproduced from the Library of Congress, Department of Prints and Photographs, French Revolutionary Prints Collection, call number PC5-1791.2b.)
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