You have not been recognized as a subscriber to the AHR online. About 229 words from this article are provided below; about 575 words remain.
 
If you are a individual member of the American Historical Association, you may:
• login here if you have already registered for online access.
• Or if you're already logged in register your subscription.
• Set up your online account for the first time. AHA members can go to the AHA individual membership section to locate their member numbers.

If you are not a member of the American Historical Association, you can:
• Join the AHA and receive many member benefits including print and electronic issues of the American Historical Review.
• Purchase a research pass to gain two hour access to the entire History Cooperative web site. You will have full access to current issues of the American Historical Review (104.3-present). Note: the Research Pass does not provide access to JSTOR's holdings of the American Historical Review.

Instititutions can:
• Subscribe to this journal and receive print and electronic issues.
• Activate your existing subscription so that we recognize your IP number ranges.
| Book Review | The American Historical Review, 108.1 | The History Cooperative
108.1  
Journals link Search link Partners link Information link
February, 2003
Previous
Table of Contents
Next
The American Historical Review

Table of contents
List journal issues
Home
Get a printer-friendly version of this page
 
 


Book Review

Canada and the United States



Robert James Branham and Stephen J. Hartnett. Sweet Freedom's Song: "My Country 'Tis of Thee" and Democracy in America. New York: Oxford University Press. 2002. Pp. xii, 276. $29.95.

This study is a thorough discourse on the many utilizations of "America," the patriotic tune by Samuel Smith commonly known as "My Country 'Tis of Thee." Virtually all American school children learn the song with its original verses. Robert James Branham and Stephen J. Hartnett develop the point that in the nineteenth century, "America" gained such popularity that the tune was employed as a rallying cry in antebellum movements like abolitionism, women's rights, and temperance, as well as in some social and economic reforms of the Gilded Age. 1
     As a narrative of the many forms of "America," Branham and Harnett's work provides a wealth of information. The versions of the hymn were many, and the authors have done their research to uncover almost every one of them (although others may rest somewhere in an archive or attic). The contents of most of the renditions were straightforward. A few, notably one by the writer Ambrose Bierce, had real bite. Written in regard to the corporate corruption of the late nineteenth century, Bierce's words are deliciously bitter and have a resonance for people concerned with the corporate atrocities of any age. . . .


There are about 575 more words in this article. Please log in (or, if you are not yet an authorized user, please go to the User Setup page) to gain full access rights. Or if you're already logged in register your subscription.