You have not been recognized as a subscriber to the AHR online. About 183 words from this article are provided below; about 515 words remain.
 
If you are a individual member of the American Historical Association, you may:
• login here if you have already registered for online access.
• Or if you're already logged in register your subscription.
• Set up your online account for the first time. AHA members can go to the AHA individual membership section to locate their member numbers.

If you are not a member of the American Historical Association, you can:
• Join the AHA and receive many member benefits including print and electronic issues of the American Historical Review.
• Purchase a research pass to gain two hour access to the entire History Cooperative web site. You will have full access to current issues of the American Historical Review (104.3-present). Note: the Research Pass does not provide access to JSTOR's holdings of the American Historical Review.

Instititutions can:
• Subscribe to this journal and receive print and electronic issues.
• Activate your existing subscription so that we recognize your IP number ranges.
| Book Review | The American Historical Review, 104.5 | The History Cooperative
104.5  
Journals link Search link Partners link Information link
December, 1999
 
The American Historical Review

Table of contents
List journal issues
Home
Get a printer-friendly version of this page
 
 


Book Review

Canada and the United States



James F. O'Gorman. Accomplished in All Departments of Art: Hammatt Billings of Boston, 1818–1874. (Studies in Print Culture and the History of the Book.) Amherst: University of Massachusetts Press. 1998. Pp. xi, 291. $39.95.

Who was Hammatt Billings? I surmise that most historians, myself included, might well offer this query. Now, with this carefully crafted, analytical biography, James F. O'Gorman has lifted the veil of obscurity from a multifaceted nineteenth-century artist and has simultaneously made a strong case for the undeserved nature of his neglect. 1
     O'Gorman never overestimates his subject, however. Billings's overall influence was minor, his work sometimes pedestrian or worse. Rarely innovative, Billings was more the artist who was representative of contemporary cultural tastes and activities. But the wide scope of his achievements is what set Billings apart from others and made him a noted and noteworthy local and regional artist, appreciated by such diverse individuals as Ralph Waldo Emerson and the influential art critic James Jackson Jarves, as well as by the general population of Boston and its environs. . . .


There are about 515 more words in this article. Please log in (or, if you are not yet an authorized user, please go to the User Setup page) to gain full access rights. Or if you're already logged in register your subscription.