You have not been recognized as a subscriber to JAH online. About 220 words from this article are provided below; about 354 words remain.
 
If you are a individual member of the Organization of American Historians, you may:
• login here if you have already registered for online access.
• Or if you're already logged in register your subscription.
• Set up your online account for the first time.

If you are not a member of the Organization of American Historians, you can:
• Join the OAH and receive many member benefits including print and electronic issues of the Journal of American History.
• Purchase a research pass to gain two-hour access to the entire History Cooperative web site. You will have full access to current issues of the Journal of American History (86.1-present). Note: the Research Pass does not provide access to JSTOR's holdings of the Journal of American History.

Instititutions can:
•  Subscribe to this journal and receive print and electronic issues.
• Activate your existing subscription so that we recognize your IP number ranges.
| Book Review | The Journal of American History, 94.4 | The History Cooperative
94.4  
Journals link Search link Partners link Information link
March, 2008
Previous
Next
The Journal of American History

Table of Contents
List journal issues
Home
Get a printer-friendly version of this page
 


Book Review



"Something on My Own": Gertrude Berg and American Broadcasting, 1929–1956. By Glenn D. Smith Jr. (Syracuse: Syracuse University Press, 2007. xvi, 293 pp. $24.95, ISBN 978-0-8156-0887-5.)

Thanks to Glenn D. Smith Jr., we can cross the name of Gertrude Berg off the list of significant but somewhat forgotten historical figures who deserve biographies of their own. A major figure in broadcast history and a key player in Jewish popular culture, Berg found her greatest success in radio and television. She also appeared in vaudeville, film, and on the Broadway stage until her death in 1966 at the age of sixty-six. 1
      The biography focuses on "three different souls inhabiting the same body: the Jewish matriarch, Molly Goldberg; the young wife and mother who created her, Tillie Edelstein; and Gertrude Berg, the successful writer and producer Tillie later became" (p. 9). The biographer privileges Berg the performer and writer, organizing most of the narrative around her successful career and its implications for broadcast history. Smith situates Berg's best known character, Molly Goldberg, in American popular culture and its representations of Jewish immigrant life, but this book is not really a work of cultural analysis. Biographical details, including of Berg's personal life and family relations, are presented mainly as they relate to her importance to media history. . . .

There are about 354 more words in this article. Please log in (or, if you are not yet an authorized user, please go to the User Setup page) to gain full access rights. Or if you're already logged in register your subscription.