You have not been recognized as a subscriber to JAH online. About 195 words from this article are provided below; about 433 words remain.
 
If you are a individual member of the Organization of American Historians, you may:
• login here if you have already registered for online access.
• Or if you're already logged in register your subscription.
• Set up your online account for the first time.

If you are not a member of the Organization of American Historians, you can:
• Join the OAH and receive many member benefits including print and electronic issues of the Journal of American History.
• Purchase a research pass to gain two-hour access to the entire History Cooperative web site. You will have full access to current issues of the Journal of American History (86.1-present). Note: the Research Pass does not provide access to JSTOR's holdings of the Journal of American History.

Instititutions can:
•  Subscribe to this journal and receive print and electronic issues.
• Activate your existing subscription so that we recognize your IP number ranges.
| Book Review | The Journal of American History, 94.3 | The History Cooperative
94.3  
Journals link Search link Partners link Information link
December, 2007
Previous
Next
The Journal of American History

Table of Contents
List journal issues
Home
Get a printer-friendly version of this page
 


Book Review



Proud to Be an Okie: Cultural Politics, Country Music, and Migration to Southern California. By Peter La Chapelle. (Berkeley: University of California Press, 2007. xiv, 350 pp. Cloth, $60.00, ISBN 978-0-520-24888-5. Paper, $24.95, ISBN 978-0-520-24889-2.)

Peter La Chapelle's study of country music in southern California from the depths of the Great Depression to the 1970s is thoughtful, carefully researched, and well written. It is a superb piece of scholarship on the evolution of Okie migrants into white-collar, suburban conservatives. 1
      La Chapelle argues that by the 1930s anti-immigrant activism, eugenics, and popular culture created an anti-Okie racial stereotype. As a result, Okie migrants moved slowly toward a solid middle-class identity. Along the way, country music provided the impetus for social and political activism. Through country lyrics, concerts, and radio shows Okies were galvanized politically. 2
      As a hostile media stereotyped Okies, they listened to Woody Guthrie and Maxine "Lefty Lou" Crissman's radio show on Los Angeles' kfvd. With an increased frequency, Guthrie communicated his liberal-populist message through political topics rather than hillbilly songs. The large number of letters from Okies to KFVD illustrated their political response to Guthrie's program. . . .

There are about 433 more words in this article. Please log in (or, if you are not yet an authorized user, please go to the User Setup page) to gain full access rights. Or if you're already logged in register your subscription.