You have not been recognized as a subscriber to JAH online. About 177 words from this article are provided below; about 370 words remain.
 
If you are a individual member of the Organization of American Historians, you may:
• login here if you have already registered for online access.
• Or if you're already logged in register your subscription.
• Set up your online account for the first time.

If you are not a member of the Organization of American Historians, you can:
• Join the OAH and receive many member benefits including print and electronic issues of the Journal of American History.
• Purchase a research pass to gain two-hour access to the entire History Cooperative web site. You will have full access to current issues of the Journal of American History (86.1-present). Note: the Research Pass does not provide access to JSTOR's holdings of the Journal of American History.

Instititutions can:
•  Subscribe to this journal and receive print and electronic issues.
• Activate your existing subscription so that we recognize your IP number ranges.
| Book Review | The Journal of American History, 93.3 | The History Cooperative
93.3  
Journals link Search link Partners link Information link
December, 2006
Previous
Next
The Journal of American History

Table of Contents
List journal issues
Home
Get a printer-friendly version of this page
 


Book Review



Imagining the African American West. By Blake Allmendinger. (Lincoln: University of Nebraska Press, 2005. xx, 161 pp. $49.95, ISBN 0-8032-1067-1.)

Imagining the African American West does not explore the realities of the black frontier experience. Instead, Blake Allmendinger navigates the rich body of cultural artifacts about the West, perceived through the eyes of African American artists. Rather than solely focusing on literary fiction, the author also considers film, music, and autobiography, illustrating how the various mediums intersected with each other. What Allmendinger does focus on is the "idea" of the West in African American literary and artistic circles. Acknowledging that there was "no such thing as a 'representative' African American western experience" he also argues that there are "many different impressions of place" (p. xvi). 1
      Allmendinger appropriately begins the volume with James P. Beckwourth, one of the most prominent African American mountain men on the Western frontier. While other authors have questioned the authenticity of Beckwourth's autobiography, the author expertly illustrates the frontiersman's literary "passing"—the explicit non-acknowledgment of his racial ancestry. . . .

There are about 370 more words in this article. Please log in (or, if you are not yet an authorized user, please go to the User Setup page) to gain full access rights. Or if you're already logged in register your subscription.