You have not been recognized as a subscriber to JAH online. About 218 words from this article are provided below; about 486 words remain.
 
If you are a individual member of the Organization of American Historians, you may:
• login here if you have already registered for online access.
• Or if you're already logged in register your subscription.
• Set up your online account for the first time.

If you are not a member of the Organization of American Historians, you can:
• Join the OAH and receive many member benefits including print and electronic issues of the Journal of American History.
• Purchase a research pass to gain two-hour access to the entire History Cooperative web site. You will have full access to current issues of the Journal of American History (86.1-present). Note: the Research Pass does not provide access to JSTOR's holdings of the Journal of American History.

Instititutions can:
•  Subscribe to this journal and receive print and electronic issues.
• Activate your existing subscription so that we recognize your IP number ranges.
| Book Review | The Journal of American History, 92.2 | The History Cooperative
92.2  
Journals link Search link Partners link Information link
September, 2005
Previous
Next
The Journal of American History

Table of Contents
List journal issues
Home
Get a printer-friendly version of this page
 


Book Review



Atomic Culture: How We Learned to Stop Worrying and Love the Bomb. Ed. by Scott C. Zeman and Michael A. Amundson. (Boulder: University Press of Colorado, 2004. xii, 187 pp. Cloth, $55.00, ISBN 0-87081-763-9. Paper, $22.95, ISBN 0-87081-764-7.)

Why not judge a book by its cover? 1
      A broad range of topics are deftly covered: Comics, the suburbs of Los Alamos, uranium mining, the neutron bomb, Nevada test sites, mushroom cloud kitsch, post–Cold War films, and proposed "monuments" (p. 149) to guard the Waste Isolation Pilot Plant (located in Carlsbad, New Mexico). Most chapters are well written, enjoyable and quick reads; I have written a fair amount of marginalia; and I have learned a lot about some unfamiliar subjects— good seat-of-the-pants reasons to recommend this anthology to others. With a grain of salt. 2
      The anthology's title grates like a teacher's fingernails drawn across a blackboard. For forty-five years, Stanley Kubrick's film, Dr. Strangelove (1964), has been the antinuclear political Left's only standard. Hundreds of articles and books have co-opted the film's title so that now it indexes not widespread "nuclearism," but the dire need for fresh and original thinking. The chapters, conversely, suggest that cultural responses to nuclear issues are complex and contradictory, and thus they strain against a constraining title. . . .

There are about 486 more words in this article. Please log in (or, if you are not yet an authorized user, please go to the User Setup page) to gain full access rights. Or if you're already logged in register your subscription.