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Book Review
The
Politics of Apolitical Culture: The Congress for Cultural Freedom, the CIA, and Post-War
American Hegemony. By
Giles Scott-Smith. (New York: Routledge, 2002. xiv, 233 pp. $55.00, ISBN
0-415-24445-5.)
| When Secretary of State George C. Marshall announced
the famous Marshall Plan at the Harvard University commencement in June 1947,
he was one of several distinguished guests to receive honorary degrees that
day, the others being Robert Oppenheimer, head of the wartime Manhattan
Project that produced the first atomic bomb; the D day commander, Gen. Omar
Bradley; and the poet T. S. Eliot. Although Eliot may have seemed out of place
in that group, his presence, according to Giles Scott-Smith, actually
symbolized the cultural dimension of America's postwar hegemony, just as the
other honorees symbolized its economic, political, and military dimensions.
Similarly, Scott-Smith, a postdoctoral researcher at the Roosevelt Study
Center in the Netherlands, makes the case that the Congress for Cultural
Freedom was nothing less than the cultural counterpart of the Marshall Plan
and the North Atlantic Treaty Organization (NATO). It was a mechanism by which
Western intellectuals, in collaboration with the Central Intelligence Agency
(CIA), forged the transatlantic consensus through which American hegemony
operated. |
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