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Book Review
Swing, That Modern Sound. By Kenneth J. Bindas. (Jackson:
University Press of Mississippi, 2001. xx, 209 pp. Cloth, $46.00, ISBN
1-57806-382-5. Paper, $18.00, ISBN 1-57806-383-3.)
| Swing-era
music is often characterized by jazz historians as less innovative and
authentic than the New Orleans-style jazz that came before it or the bebop
that would follow, as an intermediary stage during which the music was
whitened and commercialized. Kenneth J. Bindas, in his compelling new book, is
aware of these interpretations, but he aims to cast a wider net and place the
music in the larger cultural and historical context of the period from the
Great Depression through World War II. He stresses that 'one must confront
not only its musicological lineage, but also the social and cultural
conditions of the people who created the sound, those who received or consumed
it, and the market forces that promoted and profited from its popularity.'
This broad approach to the subject is both the book's forte and its
weakness, as the important sounds of swing are occasionally silenced in favor
of historical and cultural commentary. |
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