You have not been recognized as a subscriber to JAH online. About 271 words from this article are provided below; about 429 words remain.
 
If you are a individual member of the Organization of American Historians, you may:
• login here if you have already registered for online access.
• Or if you're already logged in register your subscription.
• Set up your online account for the first time.

If you are not a member of the Organization of American Historians, you can:
• Join the OAH and receive many member benefits including print and electronic issues of the Journal of American History.
• Purchase a research pass to gain two-hour access to the entire History Cooperative web site. You will have full access to current issues of the Journal of American History (86.1-present). Note: the Research Pass does not provide access to JSTOR's holdings of the Journal of American History.

Instititutions can:
•  Subscribe to this journal and receive print and electronic issues.
• Activate your existing subscription so that we recognize your IP number ranges.
| Book Review | The Journal of American History, 89.1 | The History Cooperative
89.1  
Journals link Search link Partners link Information link
June, 2002
Previous
Table of Contents
Next
The Journal of American History

Table of contents
List journal issues
Home
Get a printer-friendly version of this page
 
 


Book Review


The Visual Culture of American Religions. Ed. by David Morgan and Sally M. Promey. (Berkeley: University of California Press, 2001. xiv, 427 pp. Cloth, $60.00, ISBN 0-520-22520-1. Paper, $29.95, ISBN 0-520-22522-8.)

As part of a growing literature that seeks to broaden our understanding of American visual culture, the contributors and coeditors of this book, David Morgan and Sally M. Promey, have produced a milestone that will prove a point of departure for emerging scholars and the public interested in the visual and built environments of American religion. 1
     The book features a sophisticated yet accessible theoretical introduction to the power of images in American religious life, followed by fourteen well-argued and highly readable essays dealing with both the traditional iconography and the popular imagery of Protestant, Catholic, Jewish, and Native American individuals and groups. The book also explores the meanings and spaces reserved for the visual symbols of civil religion in the United States and includes an exceptional bibliography and information on archival sources for further research. 2
     As the most wide ranging and useful outgrowth of a multi-year interdisciplinary collaborative project of research, exhibition, and publication funded by the Henry Luce Foundation and the Lilly Endowment, The Visual Culture of American Religions unites the concerns of academic art historians and scholars of religion, the media, and American studies in a book that maps both the breadth of concerns and the variety of theoretical and methodological approaches gaining ground under the visual studies rubric and that challenges historians of American culture to look seriously at the materializing tendencies that serve to enable a wide variety of religious beliefs. . . .


There are about 429 more words in this article. Please log in (or, if you are not yet an authorized user, please go to the User Setup page) to gain full access rights. Or if you're already logged in register your subscription.