You have not been recognized as a subscriber to JAH online. About 184 words from this article are provided below; about 421 words remain.
 
If you are a individual member of the Organization of American Historians, you may:
• login here if you have already registered for online access.
• Or if you're already logged in register your subscription.
• Set up your online account for the first time.

If you are not a member of the Organization of American Historians, you can:
• Join the OAH and receive many member benefits including print and electronic issues of the Journal of American History.
• Purchase a research pass to gain two-hour access to the entire History Cooperative web site. You will have full access to current issues of the Journal of American History (86.1-present). Note: the Research Pass does not provide access to JSTOR's holdings of the Journal of American History.

Instititutions can:
•  Subscribe to this journal and receive print and electronic issues.
• Activate your existing subscription so that we recognize your IP number ranges.
| Movie Review | The Journal of American History, 87.3 | The History Cooperative
87.3  
Journals link Search link Partners link Information link
December, 2000
 
The Journal of American History

Table of contents
List journal issues
Home
Get a printer-friendly version of this page
 
 


Movie Review



Vendetta. Prod. by Tony Mark and Sue Jett. Dir. by Nicholas Meyer. HBO, 1999. 112 mins.

On March 14, 1891, a mob of twenty thousand people stormed the city jail in New Orleans, Louisiana, and lynched eleven Sicilian immigrants. Ironically, the actions of the mob were widely regarded as a heroic defense of law and order. The truth, however, was much more insidious. 1
     Based upon the 1977 book of the same name by Richard Gambino, Vendetta is a compelling portrait of prejudice. Sicilians were recruited by Louisiana planters during the late nineteenth century as a substitute labor force for African Americans. Yet within only a few short years, immigrant entrepreneurs assumed economic control of the New Orleans docks. Economic rivalry between the Sicilians and the local business establishment created bitter ethnic tension. Although the screenwriter, Timothy Prager, includes these crucial developments in the story line, he occasionally struggles with the explanatory dialogue, as when the Sicilian businessman Joseph Macheca melodramatically exclaims, "They brought us here to be the servants. In less than a generation we threaten to be their masters." . . .


There are about 421 more words in this article. Please log in (or, if you are not yet an authorized user, please go to the User Setup page) to gain full access rights. Or if you're already logged in register your subscription.