You have not been recognized as a subscriber to Indiana Magazine of History online. About 216 words from this article are provided below; about 492 words remain.
 
If you are a individual subscriber to Indiana Magazine of History, you may:
• login here if you have already registered for online access.
• Or if you're already logged in register your subscription.
• Set up your online account for the first time.

If you are not a subscriber to Indiana Magazine of History, you can:
• subscribe here.
• Purchase a research pass to gain two hour access to the entire History Cooperative web site. You will have full access to current issues of Indiana Magazine of History.

Instititutions can:
• Subscribe to this journal and receive print and electronic issues.
• Activate your existing subscription so that we recognize your IP number ranges.
Reviewed by Laila Haidarali | Book Review | The Indiana Magazine of History, 105.1 | The History Cooperative
105.1  
Journals link Search link Partners link Information link
March, 2009
Previous
Next
The Indiana Magazine of History

Table of Contents
List journal issues
Home
Get a printer-friendly version of this page
 

Reviews

Style and Status
Selling Beauty to African American Women, 1920–1975

By Susannah Walker
(Lexington: University Press of Kentucky, 2007. Pp. xiii, 250. Illustrations, notes, bibliography, index. $40.00.)


Susannah Walker's Style and Status makes a significant contribution to the history of African American con-sumerism with particular focus on women's beauty culture. The book, Walker's first, explores the politics, practices, and processes of beauty culture to analyze how "the interplay of race, class and gender ... shaped power relationships in the United States" (p. 5). Focused on the years between 1920 and 1975, Walker draws on a rich array of sources including the company records of Claude A. Barnett and Madam C.J. Walker (the latter of which are housed at the Indiana Historical Society). Walker also analyzes oral histories, print advertisements, and text and visuals in black newspapers and magazines. In exploring multiple aspects of African American beauty culture, Walker not only draws on pioneering scholarship in the field, but also builds upon Maxine Craig's recent examination of beauty pageants (Ain't I a Beauty Queen?, 2002) and upon my work on the black modeling industry. Mining these primary and secondary sources allows Walker to trace entrepreneurship, consumption, and identity formation to understand the shifting place of beauty in defining urban African Americans' gendered identities. . . .

There are about 492 more words in this article. Please log in (or, if you are not yet an authorized user, please go to the User Setup page) to gain full access rights. Or if you're already logged in register your subscription.