You have not been recognized as a subscriber to the AHR online. About 239 words from this article are provided below; about 609 words remain.
 
If you are a individual member of the American Historical Association, you may:
• login here if you have already registered for online access.
• Or if you're already logged in register your subscription.
• Set up your online account for the first time. AHA members can go to the AHA individual membership section to locate their member numbers.

If you are not a member of the American Historical Association, you can:
• Join the AHA and receive many member benefits including print and electronic issues of the American Historical Review.
• Purchase a research pass to gain two hour access to the entire History Cooperative web site. You will have full access to current issues of the American Historical Review (104.3-present). Note: the Research Pass does not provide access to JSTOR's holdings of the American Historical Review.

Instititutions can:
• Subscribe to this journal and receive print and electronic issues.
• Activate your existing subscription so that we recognize your IP number ranges.
| Book Review | The American Historical Review, 111.3 | The History Cooperative
111.3  
Journals link Search link Partners link Information link
June, 2006
Previous
Next
The American Historical Review

Table of Contents
List journal issues
Home
Get a printer-friendly version of this page
 


Book Review

Asia



Eiko Ikegami. Bonds of Civility: Aesthetic Networks and the Political Origins of Japanese Culture. (Structural Analysis in the Social Sciences.) New York: Cambridge University Press. 2005. Pp. xiv, 460. $36.99.

This book is an ambitious work in terms of its historical sweep and its theoretical claims. It will surely provoke challenges, as well as cheers, from readers in diverse disciplines. Scholars have long noted developments in the Tokugawa period that transformed Japan from a medieval society into a modern nation. These included decentralized but well-integrated political networks; extensive trade routes that fostered broad commodity markets and urbanization; and the rise of commercial publishing. However, Eiko Ikegami argues that scholars have largely overlooked the important role aesthetic associations played in (re)creating social identities and political culture. 1
      Ikegami's thesis is that the systematic social connections established by persons involved in various aesthetic practices in proto-modern Japan created new spatial/cognitive spheres or "aesthetic publics." These aesthetic publics provided a place where, for a while, participants could shed their official social identities within the rigid hierarchical structure imposed by the Tokugawa regime. Largely unpoliced by the government, they provided a place where people could enjoy interaction with other social classes. Such "aesthetic socializing" required civility, which "flourishes best in an intermediate zone of social relationships that lies between the intimate and the hostile" and "govern[s] social relations across differences in rank and status" (p. 78). . . .

There are about 609 more words in this article. Please log in (or, if you are not yet an authorized user, please go to the User Setup page) to gain full access rights. Or if you're already logged in register your subscription.