You have not been recognized as a subscriber to the AHR online. About 217 words from this article are provided below; about 457 words remain.
 
If you are a individual member of the American Historical Association, you may:
• login here if you have already registered for online access.
• Or if you're already logged in register your subscription.
• Set up your online account for the first time. AHA members can go to the AHA individual membership section to locate their member numbers.

If you are not a member of the American Historical Association, you can:
• Join the AHA and receive many member benefits including print and electronic issues of the American Historical Review.
• Purchase a research pass to gain two hour access to the entire History Cooperative web site. You will have full access to current issues of the American Historical Review (104.3-present). Note: the Research Pass does not provide access to JSTOR's holdings of the American Historical Review.

Instititutions can:
• Subscribe to this journal and receive print and electronic issues.
• Activate your existing subscription so that we recognize your IP number ranges.
| Book Review | The American Historical Review, 107.1 | The History Cooperative
107.1  
Journals link Search link Partners link Information link
February, 2002
Previous
Table of Contents
Next
The American Historical Review

Table of contents
List journal issues
Home
Get a printer-friendly version of this page
 
 


Book Review

Canada and the United States


Molly H. Mullin. Culture in the Marketplace: Gender, Art, and Value in the American Southwest. (Objects/Histories: Critical Perspectives on Art, Material Culture, and Representation.) Durham, N.C.: Duke University Press. 2001. Pp. 232. Cloth $54.95, paper $18.95.

Molly H. Mullin pursues several large subjects in this provocative monograph. First of all, she discusses rather extensively the now-familiar dichotomy between Matthew Arnold's elitist definition of culture and the "culture concept" of many modern social scientists. More specifically, Mullin also endeavors to examine "the social construction of value in relation to the patronage of American Indian art in New Mexico from the early twentieth century to the present day" (p. 3). In addition, the author comments on how taste, commodification, and consumption played notable roles in her complex story. Nor does she overlook the ways in which class and gender influenced the major topics she addresses. Finally, the author studies literary works by Willa Cather and Mary Austin, among others, "as strategic and partial representations—of people and places," and she is concerned with "how such works relate to practices of value construction and the formation of value-making institutions" (p. 7). To achieve these several large goals, Mullin, employing "an eclectic methodology," utilizes numerous secondary sources from anthropology, history, and literature. . . .


There are about 457 more words in this article. Please log in (or, if you are not yet an authorized user, please go to the User Setup page) to gain full access rights. Or if you're already logged in register your subscription.