You have not been recognized as a subscriber to the AHR online. About 241 words from this article are provided below; about 529 words remain.
 
If you are a individual member of the American Historical Association, you may:
• login here if you have already registered for online access.
• Or if you're already logged in register your subscription.
• Set up your online account for the first time. AHA members can go to the AHA individual membership section to locate their member numbers.

If you are not a member of the American Historical Association, you can:
• Join the AHA and receive many member benefits including print and electronic issues of the American Historical Review.
• Purchase a research pass to gain two hour access to the entire History Cooperative web site. You will have full access to current issues of the American Historical Review (104.3-present). Note: the Research Pass does not provide access to JSTOR's holdings of the American Historical Review.

Instititutions can:
• Subscribe to this journal and receive print and electronic issues.
• Activate your existing subscription so that we recognize your IP number ranges.
| Book Review | The American Historical Review, 105.4 | The History Cooperative
105.4  
Journals link Search link Partners link Information link
October, 2000
 
The American Historical Review

Table of contents
List journal issues
Home
Get a printer-friendly version of this page
 
 


Book Review



Canada and the United States



H. V. Nelles. The Art of Nation-Building: Pageantry and Spectacle at Quebec's Tercentenary. Buffalo: University of Toronto Press. 1999. Pp. ix, 397. $45.00.

In 1908, the governments of Canada, Quebec, and Quebec City collaborated as senior organizers of a grand celebration marking the 300th anniversary of Quebec's founding by France. The event involved the participation of French and English-speaking citizens, Ojibway, Mohawk, Iroquois, and Onandaga Indians, militia regiments, regular soldiers, and mounted police. It was acted out in the presence of ships of the Royal, French, U.S., and Canadian navies, huge crowds of spectators, and dignitaries from several parts of the world. Most noteworthy of all, it unfolded in an extraordinary series of balls, dinners, receptions, parades, and—the pièce de résistance—an elaborately staged historical pageant recapitulating significant moments in the history of New France and Quebec. 1
     Standing at the heart of this powerfully orchestrated public spectacle was a concern that the drama and artifice so prominent in it represent the Quebec, Canadian, and imperial pasts in ways that would mobilize support for Canada and the British Empire in the present. "The Tercentenary," writes H. V. Nelles, "seemed to have been built on the dual propositions that history would make a nation and that history could best be understood as performance" (p. 11). Attaching great importance to this idea, Nelles scripts his book as an extended examination of the tercentenary's meaning and implications. . . .


There are about 529 more words in this article. Please log in (or, if you are not yet an authorized user, please go to the User Setup page) to gain full access rights. Or if you're already logged in register your subscription.