You have not been recognized as a subscriber to the WHQ online. About 142 words from this article are provided below; about 345 words remain.
 
If you are a individual subscriber to the Western Historical Quarterly, you may:
• login here if you have already registered for online access.
• Or if you're already logged in register your subscription.
• Set up your online account for the first time.

If you are not a subscriber to the Western Historical Quarterly, you can:
•  subscribe here.
• Purchase a research pass to gain two hour access to the entire History Cooperative web site. You will have full access to current issues of the Western Historical Quarterly (104.3-present). Note: the Research Pass does not provide access to JSTOR's holdings of the Western Historical Quarterly.

Instititutions can:
• Subscribe to this journal and receive print and electronic issues.
• Activate your existing subscription so that we recognize your IP number ranges.
| Book Review | The Western Historical Quarterly, 39.1 | The History Cooperative
39.1  
Journals link Search link Partners link Information link
Spring, 2008
Previous
Next
The Western Historical Quarterly

Table of Contents
List journal issues
Home
Get a printer-friendly version of this page
 


Book Review



Crossing Waters, Crossing Worlds: The African Diaspora in Indian Country. Edited by Tiya Miles and Sharon P. Holland. (Durham, NC: Duke University Press, 2006. xx + 364 pp. Notes, bibliography, index, $84.95, cloth; $23.95, paper.)

      Editors Tiya Miles and Sharon P. Holland propose "to articulate in new ways this space where black experience meets native experience" in their collection of essays entitled Crossing Waters, Crossing Worlds (p. 3). The fifteen essays range across the disciplines of history, anthropology, African American studies, English, ethnic studies, and Native American studies and include fiction and personal memoir. The first eight essays are "primarily concerned with the themes of race, place, belonging, citizenship, and historical memory," while the last seven chapters "are particularly interested in explorations of presence, identity, and intimacy through narrative, performance, and visual art" (p. 13). . . .

There are about 345 more words in this article. Please log in (or, if you are not yet an authorized user, please go to the User Setup page) to gain full access rights. Or if you're already logged in register your subscription.