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Subaltern
History Makers and Alternative Constructions of the Past: An Introduction
Joanne
Meyerowitz
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Despite
numerous studies of historiography, collective memory, and amateur history, U.S.
historians have only begun to investigate how members of subordinated groups
consciously constructed alternative popular versions of the past. In this round
table, we bring together two articles that address such history-making projects.
In "Meta Warrick's 1907 'Negro Tableaux' and (Re)Presenting African
American Historical Memory," W. Fitzhugh Brundage looks at the visual
representations of African American history created by the black sculptor Meta
Warrick for the 1907 Jamestown Tercentennial Exposition. In "The Politics of
Transnational History Making: Japanese Immigrants on the Western 'Frontier,'
19271941," Eiichiro Azuma studies the group identity created by Issei
historians of Japanese American life.
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