Robert Darnton
An Early Information Society

Online Discussion Archive: Topic and Reply 1



   Topic: Expanded Considerations

   Conf: Discussion of Darnton's Article

   From: Raymond J. Jirran western-civilization@home.net

   Date: Monday, March 13, 2000 10:15 PM

   

   Robert Darnton offers perspective on the information age in his

   Presidential Address. Developing his amorphous subject, Darnton almost

   gratuitously finds an appropriate place for white sexual

   licentiousness in Africa (p. 14). Two points are pertinent. First,

   though racism in the United States is gratuitous and without reason,

   we practice racism anyway. That irrationality is what makes racism so

   frustrating. Noting (p. 35) that Darnton wrote Gens de lettres, gens

   du livre (1992) before Forbidden Best-Sellers of Pre-Revolutionary

   France (1995), might his essay have profited from some editorial

   guidance about Africa for the AHR readership?



   In developing the codes of the Parisian French, Darnton does

   "demonstrate the promise of a new subdiscipline, the history of

   communication, which can be applied to research in virtually any field

   of study" ("In This Issue," AHR 105 [February 2000]: xiv). There were

   similar codes in black America. The black spirituals offer not only

   one meaning for whites but also other meanings for blacks, at certain

   times. "Swing Low, Sweet Chariot, Coming for to Carry Me Home" is not

   exactly about going to an unearthly heaven when the Underground

   Railroad is running north. Even hanging out the quilted bedspreads had

   significance for the Underground Railroad. If we are going to portray

   Africa as an acceptable place for sexual licentiousness, why not also,

   as a second point, look to Africa as a place for the type of

   communication examined in Darnton's France?



   Racism leads to the antithesis of racism in the following manner.

   Racism is about the politics of race determining truth. Because

   Western civilization is about truth determining politics, racism is

   fundamentally incompatible with Western civilization. Is what Darnton

   describes as "News and the Media in Eighteenth-Century Paris" also

   about the incongruity between regal politics determining the truth

   about how France was run? When that incongruity became too severe, did

   France blossom into revolution that continues to inspire Western

   civilization?



   Darnton's address places us back in touch with one of the wellsprings

   of Western civilization, the French Revolution. Darnton connects the

   current masses via the media explosion of the Third Millennium with

   the masses of the French Revolution two centuries earlier. As Darnton

   words it, "I think the Paris of Louis XV may help us gain some

   perspective on the Washington of Bill Clinton" (p. 35). Indeed.

   As wonderful an opportunity as this is for a worldwide discussion, my

   attempts to generate a similar discussion on Western civilization at

   http://www.blackboard.com/ HIS101and102 have come to naught. For that

   reason, thank you, AHR. Let us see if we cannot get something going

   here.



   Raymond J. Jirran

   

   

   Topic: Re: Expanded Considerations

   Conf: Discussion of Darnton's Article

   From: Robert Darnton darnton@princeton.edu

   Date: Tuesday, March 28, 2000 02:16 PM

   

   Raymond Jirran detects a germ of racism in the fact that I chose

   Africa as a setting for a story about sex, Louis XV's love affairs

   with the three daughters of the marquis de Nesle. By way of reply, I

   should explain something about the rhetorical strategy behind my

   essay. The essay, in fact, was a lecture, the presidential address

   delivered at the annual meeting of the American Historical

   Association. I tried to maintain the informal tone of a talk by

   addressing my readers as an audience and using the first person

   singular. On page 14, I interrupted my lecture-essay with a remark

   designed to signal a shift in the exposition from analysis to

   narrative: "Let me tell you a story." By doing so, I also meant to

   convey the gossipy tone of story telling in Parisian cafŽs and to

   suggest the character of an actual story about the king's sex life

   that was told by a certain Jules Alexis Bernard in the shop of the

   wigmaker Gaujoux, according to a report of a police spy in 1749.

   Although the spy did not recount the story, he said enough to indicate

   that it conformed to many such stories that were circulating about the

   notorious scandal at that time. I could have told the story straight,

   as I started to do in the second paragraph on p. 14. But I wanted to

   make a further point, without changing the tone and preaching ex

   cathedra at my audience: I deplore the tendency of historians to pass

   off fiction as fact, using vulgar varieties of so-called postmodernism

   to justify themselves. As I indicated in a footnote on p. 16, I had in

   mind the faking of situations in Edmund Morris's _Dutch: A Memoir of

   Ronald Reagan_. This tendency also exists in subtler forms, suggested

   by the vogue for titles that begin with "inventing," "constructing,"

   or "fabricating." I wanted to use the presidential address as an

   occasion to reaffirm a professional ethos, which I described as an

   implicit contract between historians and their readers: we don't

   fabricate facts.



   Yet there I was, telling a story that sounded like a fabrication. I

   therefore changed gears in paragraph three and set the story in the

   African kingdom of the Kofirans. Why Africa? Not because of any

   subconscious, racist association of Africa and sex, but because the

   story I told was a synopsis of a roman ˆ clef, which took place in

   Africa and recounted Louis XV's love affairs with the daughters of the

   marquis de Nesle: _Les amours de Zeokinizul, roi des Kofirans_,

   Zeokinizul being an anagram for Louis Quinze and Kofirans for

   Franais. This device made it possible to adhere closely to the

   evidence and at the same time to get across the ludic, puzzle-solving

   quality of reading narratives in the form of romans ˆ clef, my next

   topic, which I raised on page 16. In fact, I think I could have kept

   to a straight version of the story without violating the rules of

   evidence, and I have done so in an abridged version of the essay,

   which will appear in the _New York Review of Books_. But the extended

   version opened possibilities of developing a richer, more complex

   narrative.



   What puzzles me in Raymond Jirran's letter is his claim that I

   referred to Africa "almost gratuitously," as if he had caught a

   subconscious slip into racism and "irrationality", something that

   needed correction by "editorial guidance" at the _American Historical

   Review_. I explained the source of the story explicitly on page 16 and

   cited similar romans ˆ clef that were set in Asia, in fairyland, and

   on an exotic island. Perhaps racism is so rampant in the United States

   that as soon as a reader finds Africa linked with sex, he reaches for

   his gun. I can only ask that my readers read attentively before they

   fire off accusations.



   As to Raymond Jirran's points about black spirituals and quilting, I

   think they are well taken. I had hoped that my essay would stimulate

   further work on communication networks and the transmission of

   information beyond the range of the printed word.



   Robert Darnton

   Princeton University




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